Showing posts with label exhibitions. Show all posts
Showing posts with label exhibitions. Show all posts

16 July 2008

home delivery opens at moma

Despite evidence to the contrary (the embarrassing dearth of activity at this spot over the past several months), I've been enjoying busier-than-normal summer with the Day Job, among other distractions. I did manage to escape momentarily to attend last night's opening of the Home Delivery show at MoMA. The show is certainly worth checking out for those in New York at all this summer - it revisits the troubled history and perhaps-promising-yet-likely-also-troubled future of prefabrication in architecture. The most exciting elements are of course the pieces commissioned by the Museum specifically for this exhibition: five full-size buildings constructed in an adjacent parking lot and three speculative wall prototypes installed in the interior gallery. Should be interesting to see how the public, press, and pundits receive it all. As for this Progressive Reactionary, once I have a free moment I hope to post some more cohesive thoughts on the show. Until then...

26 March 2008

home delivery @ moma

Just got word that MoMA has launched their website for this summer's exhibition on prefabrication titled Home Delivery: Fabricating the Modern Dwelling. Looks like it will be an online journal recording the progress of the five mega-prototypes that will be constructed in the empty lot next to the museum in time for the exhibition opening. As reported by RoPog in the Times back in January, MoMA has commissioned these projects to accompany the exhibition upstairs as a way to showcase contemporary approaches to prefab. It's Barry Bergdoll's debut as his new position as chief curator of architecture & design... so expectations are high.

List of the outdoor prototypes:

  • "Cellophane House" by prefab vets Kieran Timberlake
  • BURST*008 by Douglas Gauthier and Jeremy Edmiston, the duo formerly known as System Architects
  • System3 by Austrians Oskar Leo Kaufmann and Albert Rüf
  • Housing for New Orleans by MIT's Lawrence Sass
  • Micro-Compact Home by Richard Horden of Horden Cherry Lee in London
There's also word that the museum has commissioned a few smaller-scale prototypes to be located within the main exhibition inside the museum...

08 July 2007

humanitarianism at the cooper-hewitt

I haven't had a chance to see this show yet at the Cooper-Hewitt, but Christopher Hawthorne (who, by the way, is consistently besting his counterpart at the New York Times as an effective architectural critic) has a piece in the LA Times on the exhibit "Design for the Other 90%." It's a short review, but Hawthorne manages to get his point across - along with some quick barbs at Koolhaas and Hadid, which I, of course, could not help but enjoy.
I've been traveling but should be back with some new posts in the coming weeks. Until then -
PR.

23 April 2007

Chaubin at Storefront

If you're in or near New York at any time over the next month or so, stop by the Storefront for Art and Architecture to check out a show on the photographer Frederic Chaubin, entitled Cosmic Communist Constructions Photographed. I've posted previously on his stunning photographs of "startling architectural artifacts born during the last two decades of the Cold War." A brief summary from Storefront's site:

Operating in a cultural context hermetically sealed from the influence of their Western counterparts, they drew inspiration from sources ranging from expressionism, science fiction, early European modernism and the Russian Suprematist legacy to produce an idiosyncratic, flamboyant and often imaginative architectural ménage. Unexpected in their contexts, these monumental buildings stand in stark contrast to the stereotypical understanding of late Soviet architecture in which monotonously repetitive urban landscapes were punctuated by vapid exercises in architectural propaganda.
The subjects of Chaubin’s photographs, scattered throughout Armenia, Estonia, Georgia, Lithuania, Belarus, Ukraine and Russia, were all constructed during the last two decades of the Soviet era. Very few of their designers achieved anything more than local recognition, and until now these buildings have never been collectively documented or exhibited. The authors of many works remain unknown, and some have been destroyed since Chaubin’s photographs were taken. Concieved and executed during a moment of historical transition, they constitute one of the most surprising and least known legacies of the former USSR.
As well as presenting the architecture itself, CCCP: Cosmic Communist Constructions Photographed traces the intellectual and political undercurrents that act as a backdrop, and at times inspiration, for the work of these Soviet architects. The exhibition, a compendium of film stills, drawings, magazine articles and historical timelines, maps out the complex genealogy of this overlooked but compelling chapter in the history of 20th century design.

Well worth checking out, indeed. Oh, how I love all things cosmic, especially with regard to Eastern European communist architecture.